Tag Archives: Marvel

My Replacement for Superior Spider-Man

Now that Doc Ock’s reign as Superior Spider-Man is over, it is time that I appoint a new protector in my Marvel comic life.  If you’ve read My Two Cents Worth on Superior Spider-Man blog post, then you know that Doc Ock’s successor WILL NOT be Peter Parker.

I recently tweeted the top three contenders.  It was difficult for me to decide which hardcore badass was going to have me breaking my neck to read his comic book every month.  Since I like a man who takes charge, I decided to choose all 3.  And they are:

3.  Magneto
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Written by Cullen Bunn, I was hooked on this mind-blowing title within the first pages of its debut issue.  I followed Bunn’s Fearless Defenders, Deadpool, and Carnage titles.  Magneto shows the serious side of Bunn’s writing.

Accomplishing a lot with limited supplies and resources, Magneto investigates crimes against mutants.

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Then serves justice.

2.  Moon Knight
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Written by Warren Ellis, I instantly became addicted to this smooth, maybe somewhat crazy, masked vigilante.  Moon Knight (Marc Spector) is sharp, clever and a damn good detective.

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See what I mean?

1.  The Punisher
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Written by Nathan Edmondson, there is not much for me to say about Frank Castle aka Punisher.  That’s because his actions tells all.  If you ask me about The Punisher, all I will do is hand you one of my books.  Not really.  I’ll give you my digital code or gift you a copy, because I don’t lend my comic books to anyone.  I don’t like smudges or fingerprints on them.

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Aren’t those panels just beautiful?  Thank you Mitch Gerads for the spectacular artwork.

So there you have it.  Magneto, Moon Knight and Punisher.  Three hardcore badasses you don’t want to mess with.  With these three on board, I know that I will be safe in the Marvel Universe.

By the way, if you’re looking for new comics to read, then I suggest these titles for the mature readers.

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Nova #11 Review

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If you haven’t already started reading Nova, now is the perfect time, but you will need to grab issue #10, the start of a new arc and writer.

Nova #11 is Gerry Duggan’s first full solo issue, after he debuted last issue with a back-up story.  I stopped reading Nova after the first arc, but upon learning that Duggan was taking over as writer, I made it a requirement to at least read the first story arc.  Duggan is the writer of one of my favorite Marvel titles, Deadpool.  Since Deadpool is nowhere near suitable for kids, I was curious as to how Duggan would handle Sam Alexander, a typical teenager with a powerful helmet.  Duggan is just as humorous on this title, as he is with Deadpool.

Sam Alexander is still that mouthy, full-of-attitude, impulsive teenager.  A mirror image of my tween son.

In the last issue, Sam appeared to have been going blind.  But in the current issue, Sam figures out what is really going on.  I must admit that it’s the perfect twist to begin a storyline.

Great artwork by Paco Medina (pencils), Juan Vlasco (inks), and David Curiel (colors).  Great facial expressions, and Sam’s little sister is a cutie pie.  I have no complaints at all in this area.

Nova #10 is the perfect jump-on point for new comic readers, or for those looking for a fun comic to read that’s suitable for all ages.  I plan to read this Marvel title, at least through the first story arc.

VERDICT (drum roll please)

If you’re a Nova fan, looking for new comics to read or a jump-on point, then I highly recommend this all-ages title.

The Fearless Defenders #12: Final Issue

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Today I protested Marvel Comics by purchasing only 1 of their titles, THE FEARLESS DEFENDERS #12. There were 8 comic books on my family’s list for today, and 6 of those books were Marvel titles. They will just have to wait until next week. I faithfully read Superior Spider-Man bi-monthly, but not today. Guardians of the Galaxy. Nope. Deadpool. Sorry D-Piddy. While it’s great that Misty Knight is in Daredevil: Dark Knights, this week is all about The Fearless Defenders. So that title is not coming into my home this week either. I didn’t even purchase Amazing X-Men for my husband (don’t worry, he fully supports my protest). The only title I’m reading by the slasher of comics this week is The Fearless Defenders. Imagine the impact if more readers stood up and did the same for their favorite comics that are getting axed.

The heavy stream of tears from my eyes have finally reduced to a trickle. I was fine reading the book until the last page of the story. That’s when the tears began to fall. And reading the final thoughts by the creators made it even worse. Ellie Pyle gave a rundown on projects that Cullen Bunn and the rest of the team will be working on. But…they’re all working on separate projects across the universe.

DISCLAIMER: My blog consists of my HONEST reviews and HONEST thoughts and tantrums. Everything I type is my own voice, as I am influenced by no one.

Right now my tongue is on fire. It’s more explosive than all the TNT that Wile E. Coyote used during the entire run of Roadrunner.

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In case you’re wondering, yes I am in sista mode. Remember it’s sista, and not sister. Misty Knight’s mouth ain’t got nothing on mine right now.

Marvel seems to enjoy playing with the emotions of its’ readers. They will cancel a title, only to re-launch it with a new creative team. I don’t know why they won’t start the new team on the new arc. They know damn well there are some serious comic collectors that does not need their numbering to be played with. I should know, my husband has been collecting for many years. And what about new titles? Books that don’t even get the chance to celebrate a one year anniversary, such as The Fearless Defenders?

But in all honesty (which is what my blog is all about), Marvel did not cancel The Fearless Defenders. It was the readers. We canceled this title. Sure Marvel is the puppet master, but we loosened the strings by not spreading the word about the book.

I wrote a blog post a few days ago about my random thoughts. I mentioned how readers need to support their favorite books and creative teams. Creators always tell readers to talk to others about the books, and why we like them. A few simple ways to get the word out are:

  • Talk about your favorite book(s) at your local comic shop. Tell why you like it. Is it the writing, art or both? Talk to the owners AND customers.
  • Get on your blog, website, or visit a comic forum and post a thread or comment on someone else’s.
  • Social media sites. I’m on Facebook and Twitter, but I know there’s a lot of other sites out there. Post a few words about the books you’re reading. Mention the writer and artist.
  • Instead of wasting keystrokes begging for re-tweets and follows on Twitter, post what comics you’re reading and what you like about it. Tweet multiple posts if you run out of space (I’m a talker so I had to learn how to condense my tweets to 140 characters).
  • Use hashtags. I haven’t been on Twitter that long, but I am learning how to use them. Before you know it, your favorite titles will be trending.

We need to drown the internet by marketing our favorite books, to keep them in publication. Cullen Bunn, Will Sliney, Mark Brooks, and Veronica Gandini gave it their all. We know this because it shows in their writing, art and the colors.  And yes, always mention the colorists. Who do you think bring the pencils and inks to life? It’s definitely not me. I would place last in a stick figure drawing contest, and I started back coloring outside the lines as soon as I graduated from kindergarten.  So there is no way I could do Gandini’s job.

I also mentioned in my random thoughts post that we need to put our favorite creators on a pedestal, especially those on low-profile titles. Spider-Man and X-Men are high-profile titles. They don’t need anything but everyone to step back, and take a moment to realize that there’s other books out there besides those two.

I follow a lot of people on Twitter in the comic industry. These people open up their lives to not just their family and friends, but to their fans. We know all about their families, pets, and what they eat at each meal. We know when their loved ones are ill, and when they recover. And they’re constantly posting pictures. This is a chance to establish creator/reader relationships. If they share their lives on social media sites, then we can tell them how much we appreciate them and their work. This provides encouragement and a motivation boost.

I was hyped about The Fearless Defenders from the beginning. Besides the characters, I was familiar with Bunn’s writing from Deadpool Kills. And that’s another thing. If you like a certain book, follow the creative team. You just might like their other work. When I learned about this title, I had the comic shop PRE-ORDER my copies.

Instead of complaining about the artist of a certain minority-led book, and gossiping about some eight year-old bullshit about who tried to get with who, put all that damn energy into trying to keep your favorite comic books far away from the chopping block.

I will definitely miss this awesome series, and I hope to see many, if not all, the characters in other titles. If you haven’t had the chance to read the adventures of this kick ass non-team, you can read all the issues here.

Since Marvel loves to stop and re-launch titles with different creative teams, maybe this title will get re-launched but with a twist. The twist would be that the creative team would remain unchanged.

The Fearless Defenders: Gone Too Soon

Over the past few days, Twitter has been the virtual host to a pre-memorial for The Fearless Defenders, one of my favorite comics that has been sent to the chopping block by Marvel. I say “pre” because there are two issues left. The month of December is going to be bittersweet. My birthday is the 22nd (feel free to email, tweet or Facebook birthday wishes) but also during that month I will be reading issue #12, the final issue of this astounding series.

I can only imagine how this series will end. A new character was introduced in the last issue. Is Marvel really ending Fearless Defenders in the middle of a story arc? Will they let the creators give its’ fans a proper goodbye to characters we have come to know and love, but may never see again?

I know the sales were low on this title, but exactly why is what I don’t know. There is always someone out there complaining about something, so who knows. The power of persuasion takes over a lot of people. If a notable blog or website gives a negative preview or review, then a lot, if not most, of its’ readers will march in that direction instead of reading the comic for themselves.

You can’t always tell by the first issue whether you will like a comic or not. Since I got back into reading comics about three years ago, I have read a few titles where I immediately knew I wouldn’t continue reading beyond its’ debut issue. But there have been a few titles where I needed to read the second issue to see if my indecisiveness had changed. And most of those second issues became the reason for those titles getting on my pulls.

I loved Fearless Defenders debut issue. But I didn’t like Annabelle Riggs, the lesbian archaeologist. After reading it, I thought, “Oh no. Another story that’s giving in to the not enough gays and lesbians in comics.” But that’s not why she was placed in the series. That’s just who Annabelle is. She became a person of great importance and I grew more fond of her with each issue. Actually, I would have kept reading the series even if my speculation was correct. A book with Valkyrie, Misty Knight, and Hippolyta written by Cullen Bunn. I knew this title would be in good hands.

Not only am I sad and disappointed, but I am ANGRY that Fearless Defenders was canceled. And right now I am in sista mode. Not sister, but SISTA. One hand on my hip, the other waving in the air with the index finger sticking out, head swinging side-to-side, and mouth running like a leaky faucet.

DISCLAIMER: I don’t blog just to be blogging. My blog consists of HONEST reviews and HONEST tantrums.

I don’t know all the reasons for the low sales of this title, so I decided to compile (or make up) my own list.

WOMEN FOCUSED

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MALE WRITER

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BLACK FEMALE LEAD

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LESBIAN CHARACTER WITH A SIGNIFICANT ROLE

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JEALOUS BECAUSE MARK BROOKS IS THE COVER ARTIST (I mentioned in my issue #10 review that you need therapy if you’re not reeled in by his covers)

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SONGBIRD AND DIAMONDBACK’S CAMEO APPEARANCE IN ISSUE 6. (S/D on Twitter is the most vocal fan about the book. I started following S/D a couple months ago because of all the engaging tweets about the book. This reward was well deserved (I just learned of it a few days ago). If that was me, I’d brag everyday for the rest of my life, especially to my comic bashing co-workers who “think it’s funny” that I read comics, and that, “You don’t look like you read comics.” Pre-orders for that issue would have been shockingly high because I would have bought each and every last one of them a copy.

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CULLEN BUNN HATED ON FOR NO APPARENT REASON

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WHINING JUST TO BE WHINING

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The condolences were pouring in so heavily on Twitter, that I had to hold an umbrella over my head whenever I read the feeds of Bunn, Will Sliney and Fearless Defenders hastag.

But there’s always people who have to go and mess with the mood. Twitter, blogs, websites. I read so many apologies and job well done to the creative team. But to say that you’re happy the series is ending is harsh. Everyone has feelings, and to trash talk like that is low. If I am upset over the book’s cancellation, then I can imagine how deeply saddened the creative team is right now. Every book has its’ own fan base, so what you don’t like, someone else love.

There were complaints the book should have been written by a woman. Well just because a book is all-female doesn’t mean it has to be written by one. Bunn gave the characters strong, distinctive personalities and writing styles. And VC’s Clayton Cowles brought the dialogue to life with his lettering. Valkyrie’s font was set apart from the other characters. When she speaks, I feel nothing but serenity. When Hippolyta speaks, I can hear an arrogant, but strong and powerful voice that would cause me to tremble if I was to meet her face-to-face. Cowles proved to be a great asset to this book.

I read there should have been a different creative team. Cullen Bunn, Will Sliney, Veronica Gandini, Mark Brooks, and Clayton Cowles. I didn’t even have to look in the book for their names. Enough said.

Of course I couldn’t leave the above sentence hanging. This team is truly amazing. Excellent scripts and visual storytelling at its’ finest.

Now it’s time for me to preach about one of my pet peeves in comics. I read a few comments where people said they were waiting for a trade. STOP WAITING FOR TRADES. BUY SINGLE ISSUES. THERE WON’T BE A COMIC IF YOU CONTINUE TO SIT BACK AND WAIT FOR A TRADE. Sales are determined by pre-ordered singles, not trades.

I know everyone don’t always have the money to buy comics every week. I read comics in the two digits on a monthly basis, and this number does not include comics for my husband and kids. About 15-17 books are purchased on our heaviest week. I rush to the comic shop every Wednesday before going to work, sometimes before checking to see if I have enough money. If I fall short, or don’t want to spend over a certain amount, the store owners/employees will let me buy whatever I want and put the rest back into the pulls for the next week.

So again, STOP WAITING FOR TRADES. HOW IN THE WORLD CAN A COMIC CONTINUE IF YOU BUY TRADES AND NOT THE SINGLES?

The Fearless Defenders. I wonder what sales would have been like if the first word in the title was replaced with X-Men.

Mighty Avengers #1 Review

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The Avengers are somewhere in outer space on an unknown mission, so Thanos decides to use their absence as an opportunity to overthrow New York City. But he and his crew will soon learn that another team of Avengers has stepped up to the plate.

The story begins with Luke Cage leading Power Man and White Tiger on a “Heroes for Hire” job at Horizon Labs. As they are fighting Plunder and his henchmen, Superior Spider-Man drops in and captures Plunder. He calls out the Heroes for Hire as being mercenaries, thugs. White Tiger agrees with Spider-Man and call it quits.

Meanwhile Blue Streak is on the run from the police, racing all over the city like a maniac holding a large sack and wielding a gun. But Monica Rambeau, aka Spectrum, quickly put a stop to that madness. Spectrum was actually testing out her new costume when she ran into Blue Streak. When she returned to the costume shop, she was informed that a man stopped by to see her. The man was still in the shop but his name and identity remained hidden. He tells Monica that he can’t be seen in-country so she dons him in a knock-off Spider-Man costume!

Proxima Midnight and her minions arrives in New York and immediately began their plan of destruction. As Cage, Spider-Man and Spectrum fight the gang of marauders, Spectrum mentions that a guy may be on the way to help. Just as Spider-Man begins to brag that he can have back-up in a matter of seconds, Spectrum’s friend with the knock-off Spider-Man costume shows up with a pair of nunchucks.

I enjoyed this debut issue and I definitely plan to read the next one to see where the story is headed. The predominately black superhero team is not the sole reason that I bought this title. I also bought it because some of my favorite Marvel characters are in this comic, such as Monica Rambeau, She-Hulk and Superior Spider-Man.

Written by Al Ewing, the story is full of fun and easy-to-follow dialogue. I like the distinctive personality of each character. Cage is re-evaluating his life and trying to figure out what’s best for him and his family. Monica is re-branding herself which includes a new attitude, hairstyle and costume. Her new alias, Spectrum, didn’t grab me at first but then I realized the name is just a reflection of her powers. I like Power Man’s attitude and how he likes to challenge authority. I am a huge fan of Superior Spider-Man and I’m hoping that Ewing keeps him “Superior” in this series…arrogant, attitude and always demanding respect.

The art team consists of Greg Land (pencils), Jay Leisten (inks) and Frank D’Armata (colors). I have no complaints at all in this area, probably because most of my focus was on Luke Cage (sorry Tony Stark and Starlord). Land drew Cage as handsome as handsome can get, especially those muscles. I like Monica’s new look, especially her new hairstyle. If I’m reading a good story, then I expect the same with the art and this team has delivered just that.

MARVEL HAS SET THIS TITLE UP FOR FAILURE.

Mighty Avengers is a predominately black superhero team, includes Superior Spider-Man and is drawn by Greg Land. It’s a conspiracy to make sure the sales go nowhere but down. I don’t see this title lasting more than a year, if that long.

A superhero team dominated by blacks and led by a black man. That alone is enough for low sales. Was this title put together to appeal to the “there’s not enough blacks…” hype?

Marvel added Superior Spider-Man to the team’s lineup knowing damn well that he constantly gets hated on. I follow Dan Slott on Twitter and his hate tweets had gotten so bad and in abundance that he had to start blocking those followers. There is a lot of hate about Superior Spider-Man circulating on the internet. So of course this should tell you that Spidey haters most likely won’t even glance at this title.

A lot, if not most, people look at the creative team of a comic to help them decide if they want to give it a try or not. So when I learned that Greg Land, porn face as some call him on the internet, would be the artist, I mentally prepared myself for the negativity on blogs, forums, Twitter, Facebook and wherever else people go to complain on the internet. I heard and read about Land before Mighty Avengers was announced. I also read a few articles and comments about him a few days before this title was released and they were ALL NEGATIVE. There were people already saying they wasn’t going to buy the book because his name is attached. I don’t read reviews of comics that I plan to blog about until after I have published mine. This is that one exception, because I knew what to expect. The reviews, blogs and comments all had negatives that greatly outnumbered the positives.

A lot of the comments were from people who didn’t even buy the book. They’re stuck on the artist, saying things like if only it wasn’t Greg Land or if only it had a different artist. I also read several comments from people who claim they don’t like the new Monica. These are not only post review comments, but from previews as well, so the comic was judged before it was read in its’ entirety.

There is never-ending hate for Land so let me talk about Monica Rambeau. Monica is a beautiful African-American woman who is getting hated on for her new costume and hairstyle. I am well aware of the trench coat, afro and braids. People change, even in comics. So what that Land has given Monica a new look. She’s re-branding herself, a fresh start. There’s nothing wrong with that. And there’s not a damn thing wrong with her hair. I got most of my hair cut off a few months ago. I have always worn my hair medium-long length. Why cut it so short? Because I am also rebranding myself. My hairstyle is similar to Monica’s and it appears that we are both sporting a hair color from the cinnamon family. Black women change hairstyles all the time. I have worn my hair long, short and I even wore braids at one time. We’re not trying to make a statement, we are just trying something DIFFERENT.

I read a few positives on Twitter and A LOT of negatives. People claiming they would read it if there was a different artist, or if Monica still wore the trench coat and braids. Or there’s already too many Avengers titles. Really? Have you complained about all those X-Men titles? Retailers tweeting the low sales, but none of them said anything about if they read the comic or not. They’re claiming low sales due to people hating the art. Blaming low sales due to the artist and Monica’s new look is nothing but pure bullsh-t.

Retailers ordered extremely low amounts of this comic because they knew a black-dominated story wouldn’t sell well. But….sales wouldn’t be that bad if they helped promote the title, or better yet, read it and then Tweet, Facebook, blog or whatever it takes to help this comic sell. But that’s far from reality. Too much like doing the right thing. Don’t want to be seen or heard pushing a team led by a black man.

If the creative team consisted of the big guns, then all hell would’ve broken loose. Imagine If Bendis, David, Fraction, Yost, Ramos and Stegman were on the this title, and there was a rare variant by Quesada.

  • Comic Book Resources and Bleeding Cool would have neverending threads of people giving praises.
  • eBay would be loaded with hundreds, if not thousands, of not only the book but those rare variants. And don’t forget about Young’s baby variants.
  • Comixolgy would have crashed on the release date like it did for Marvel 700+ free digital issues.
  • The lines of Yost and Stegman would wrap around the building at Detroit Fanfare next month. Stegman would have to turn fans away because of his overwhelming sketch load, and they wouldn’t even complain about the $150 that he charges for commission sketches (I’m not one of those complainers. I proudly gave him my $150 for my Superior Spider-Man sketch a few months ago).
  • CGC would get a shipload of Mighty Avengers #1, some of the owners of these comics would have already created a listing on eBay, having already guessed its’ grade. CGC would be totally exhausted from witnessing and processing Signature Series at conventions.
  • The crowd and lines at comic shops would be record-breaking. I’m sure that belligerent guy at the comic shop last week that I blogged about (I now call him Flint the Flipper) would have put on a much longer show.

I have read comics with either crappy stories, so-so art or both. Some of them I didn’t read past the first issue. But when I read the reviews, nothing but praise was given. That’s because popular names were attached.

What if Marvel had put a black creative team on this comic? Retailers would have sliced their numbers in half, and many of them wouldn’t have ordered at all.

My employer started a mandatory sensitivity training for all employees. There’s a lot of people out in this world that needs this training as well.

VERDICT (drum roll please)

I highly recommend this title.

Kick-Ass: Volume 1 Review

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Dave Lizewski is an average teenager and comic geek.  Becoming more and more obsessed with his comics, he decides to become a real-life superhero.  He buys a wetsuit off eBay, spends most of his lunchtime at the gym and eats a high protein diet to build muscle.  He also practices walking on rooftops.

Dave’s first run-in with crime didn’t go well at all.  He was brutally stabbed and beaten by street thugs, but that didn’t stop him.  He donned that wetsuit the moment he was free of his crutches.  Trying to save a man from a gang of thugs he suffers another beating.  But this time the attack is recorded and the video goes viral.  Thus we have Kick-Ass.

Kick-Ass attracts the attention of Hit-Girl and Big Daddy, and they blackmail him into joining them to take down Johnny G, a crime boss.

This 8 issue mini-series is SICKER THAN SICK.  I am appalled that a story about young children running around cursing and committing murder is on store shelves.

I also cannot believe the torture received by Kick-Ass and Hit Girl.  Kick-Ass was beaten and stabbed to the brink of death.  He underwent four operations and had a metal plate put into his head.  He was also electrocuted by having cables connected to his testicles.  Hit-Girl was beaten and received several gunshot wounds to her back before falling out of a window.

The language used by Kick-Ass and Hit Girl is beyond the washing the mouth out with soap method.  Kick-Ass is the typical teenager, so I’ll cut him some leniency.  But Hit Girl is 10 years old and under no circumstances should she be calling anyone a cunt or dickhead.

Icon Comics, an imprint of Marvel, is the publisher.

Mark Millar is the writer of this sick and twisted story.  There is so much foul language and violence in this series.  Children are running around cursing and killing like it’s a good thing, and the adults are tormenting them.

John Romita, Jr. is the artist.  The graphics are just as sickening as the dialogue.  Total Bloodbath.  Hit Girl, a 10 year-old that should be playing with Bratz dolls, jumping rope and learning the cup song, slices and dices body parts instead.  In one panel, she split a man’s head in half with a meat cleaver.  She also snorts Condition Red, “a super-secret chemical compound designed by scientists,” she says.  Yeah right.

To write, illustrate and publish material of this nature is beyond sick.

VERDICT (drum roll please)

Due to the graphic nature of this story I CANNOT AND WILL NOT RECOMMEND THIS TITLE TO ANYONE.

Superior Carnage #2 Review

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I couldn’t wait to get my hands on this issue of Carnage, but this time I read it in broad daylight so that I wouldn’t get scared out of my seat like I did with the first issue.  I wanted that adrenaline rush again, just not at 1 a.m. while the rest of the household was asleep.

Cletus Kasady, the deranged serial killer with a venom symbiote in his bloodstream, has been captured by the Wizard.  His plan was to control Kasady’s mind and make Carnage a member of the Frightful Four.  Learning the hard way that Kasady has been lobotomized, the Wizard devised a new plan; control the symbiote’s brain instead of Kasady’s.

Dr. Malus and Klaw, two recruits for the Frightful Four, watches as the Wizard, who appears to be mentally unstable, endures several brutal attacks by Carnage.  When Dr. Malus tells Wizard that Carnage can be controlled if the venom symbiote is transferred into someone with a working brain, the physically disabled physician involuntarily becomes the candidate, I mean victim.

Meanwhile, Superior Spider-Man was made aware of Carnage’s break from prison by the Wizard and will soon pay them a visit.

WARNING TO PARENTS OF YOUNG CHILDREN:  Carnage is definitely not for young readers.  Please use caution when reading this comic around young children.

Kevin Shinick is the writer of this gruesome comic.  Well written script.  Dark and scary characters, yet compelling.  The characterization of Carnage is deep, but the Wizard is even more complex.  Interesting dialogue, especially Wizard.  You actually witness his mind deteriorating, or getting crazier and crazier as some may say.

Once again I blame Stephen Segovia (artist), Jay David Ramos (colorist) and Clayton Crain (cover) for the chilling visuals.  Although I knew what to expect after reading the last issue, I still found myself shivering at all the panels with Carnage.  The lettering really stands out, especially the fight scenes, thanks to VC’s Joe Caramagna.  I can still hear Carnage hissing at the Wizard.  I felt so much better when I saw Superior Spider-Man!  (I’m a loyal reader of that title).

There is no doubt that I plan to continue reading this Marvel title.

VERDICT (drum roll please)

I highly recommend this title for mature readers.